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Which option to choose, is up to the developer. As a mechanism for data transfer, HashMaps provide many advantages over data transfer objects (as described in the Data Transfer HashMap pattern), but also come at the expense of significant additional complexity. If the attribute access interface is used behind a DTO factory, dependencies between key/value names can be kept localized to the server, where the session beans need to be aware of the entity beans anyway. Using the attribute access interface, a session bean can thus dynamically decide which subsets of entity bean data it requires at run time, eliminating the need for manual, design time programming of data transfer objects. Like the interface itself, the implementation of the attribute access interface is generic. Under Bean-Managed Persistence (BMP), an entity bean can be further simplified by storing all of its attributes in a private, internal HashMap, rather than the relying on the obvious hard-coding of attributes that usually takes place. For large entity beans, this optimization can simplify an entity bean s code greatly. Using this internal HashMap, the implementation of the methods on AttributeAccess thus become completely generic and reusable across BMP entity beans:

Option ON How to Use It Turns the clipping boundary on, displaying only the portion of the xref inside the clipping boundary. By default, the clipping boundary is on. Use this after you ve turned it off to see only the clipped portion again. Turns the clipping boundary off, displaying the entire xref. The clipping boundary is still retained. This is somewhat like turning off a layer. You may want to see the entire xref for a while (for example, while redefining the boundary). Then you can turn the boundary back on (using the ON option) when you need only the clipped portion again. This is used for 3D drawings only. After you set a clipping boundary, you can set front and back planes parallel to the boundary to display only the portion of the xref within that threedimensional space. You create the front and back planes by specifying a distance from the clipping boundary. The Remove suboption removes the clipping planes.

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Figure 10.7 (a) Cross section of the cubic phase PSF hr (ux )2 and (b) density plot of the PSF hr (ux )2 hr (uy x)2 for a 10 5 l2 .

Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

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A router will send out a RIP request when it needs an update to a routing table. Normally this occurs when the router is first booted up. Another example of when a RIP request is sent out is when you are troubleshooting connectivity issues with a route.

Intersection Line: When this option is selected, intersecting lines are displayed so you can make more precise adjustments. Grid size: The two grid size buttons allow you to switch between large and small grids. Smaller grids make the view a bit more confusing but allow you to be a bit more precise.

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The Layers Panel ...............................................................................................................303 Opacity and Fill settings ..........................................................................................303 Lock settings ...........................................................................................................304 Blending modes.......................................................................................................305 Normal and dissolve blending modes ............................................................306 Darkening blending modes............................................................................307 Lightening blending modes ...........................................................................307 Adding contrast blending modes ...................................................................308 Using difference blending modes ...................................................................308 Color blending modes ...................................................................................309 Using blending modes ...................................................................................309 Linking layers..........................................................................................................312 Layer styles, Layer masks, and Fill and Adjustment layers .......................................313 Grouping layers.......................................................................................................313 Creating a blank layer .............................................................................................313 Throwing layers (or their components) away ..........................................................313 Applying Worry-Free Fill and Adjustment Layers .............................................................313 Choosing a Fill or Adjustment layer ........................................................................314 Fill layers ................................................................................................................314 Adjustment layers....................................................................................................315 Editing a Fill or Adjustment layer ............................................................................318 Moving a Fill or Adjustment layer .................................................................318 Editing the properties of a Fill or Adjustment layer .......................................318 Layer Style Special Effects .................................................................................................319 Choosing a Layer Style ............................................................................................320 Adjusting Layer Style options ..................................................................................321 Creating a separate layer from a Layer Style.............................................................322 Creating Smart Objects .....................................................................................................323 Converting a layer to a Smart Object .......................................................................323 Adding Smart Filters ...............................................................................................324 Making changes to the Smart Filters ........................................................................325 Layer Masks ......................................................................................................................327 Creating masks ........................................................................................................328 Using the Add Mask icon ..............................................................................328 Using the Refine Edge dialog box ..................................................................329 Type masks ...................................................................................................329 Clipping masks..............................................................................................330 Editing masks..........................................................................................................332 Edit a mask by painting on the image ............................................................332 Edit masks using the Channels panel.............................................................332 Editing masks using the Masks panel.............................................................334 Unlinking and moving masks ..................................................................................335 The Layer Comps Panel ....................................................................................................337 Merging Layers .................................................................................................................338 Summary ..........................................................................................................................339

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Fill in the form fields to check the layout. In this form, the text fields for the Address, the State, and the Zip code could use a little polish. These items can be edited back in Designer to modify the form appearance.

In this transition, Clip B gradually appears in an ever-growing square that gradually consumes the full frame.

Developers continue to break new ground with the use of translators. Some translators that have been developed so far include those for the following:

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